Mélody Moudenc

I will begin the great task of presentation with my unexpacted passion for theatre and art in general. It was at the age of 10 that I produced my first production based on stage writing in my primary school with the support of my teacher. Subsequently, I was accepted into a literary baccalaureate with a heavy theater specialty where everything makes sense. At 18 I left the pink city to settle in Paris where I began dual training. On the one hand the degree in theater studies from the University of Paris 8 which brings me various lessons, notably in theatrical practice, on the one hand classical: vocal work with Marcus Borja, neutral mask with Raphaëlle Doyon, mime with Murielle Roland, expressive mask with Patrick Forian and Katrin Van Beurden, acting direction with Alain Gintzburger but also an apprenticeship in ethno scenology: training in Kathakali and Bharatanatyam with Katia Legeret, meetings, master classes and exchanges with Eugenio Barba and the troupe of the Odin Teatret as well as numerous interventions at Arta and within the Théâtre du Soleil troupe in the presence of Ariane Mnouchkine.

At the same time, I followed the theater training at Cours Florent: in the first year in Hugo Horsin's class, second year in that of Laurent Bellambe then finished my training with Julie Recoing and Frédéric Cherboeuf. Over the years I met Barthélemy Sanchez who wrote me a role in the play “Royaume”, performed in Paris in 2018 at the La Croisée des Chemins theater. But also from Margot Mismetti who will do the same for her play “La Bouche du Diable”.