Audrey Maldonado

I started out as a jazz/soul singer, with training in opera at conservatoire. I got into theater through improvisation, became a voice-over artist and dubber, and finally started working on film sets, which I fell in love with.

Today, I have a wide range of experience in fiction in different formats, advertising and corporate films, although I'm particularly fond of fiction.

I trained first in Stanislavsky with Guillaume Lavie, then in Chekhov at the eponymous Brussels studio with Nathalie Yalon, then in the Meisner method at the Actor's Factory in Paris with Andrea Dolente.