Astrid Gallo has been developing a demanding body of work for several years at the crossroads of contemporary theatre, performance, and audiovisual creation, with a particular focus on hybrid forms and the dialogue between acting and image.
On screen, she has appeared in over thirty short films, several of which have received awards at festivals, and she regularly works in front of the camera in demanding shooting environments, including large-scale productions.
On stage, she is involved in creation and performance projects presented in contemporary art venues such as the Palais de Tokyo, and is currently collaborating on an improvisation project combining theatre and music with the national music creation center La Muse en Circuit, in preparation for Nuit Blanche.
Trained in Paris, notably at the Cours Raymond Acquaviva and in the Meisner technique, she has developed a multidisciplinary practice. She is also the creator of Ketamine Sadness, in which she performed; the piece was presented at the Avignon Festival in 2025 and incorporated live video on stage.
Alongside these projects, she has been performing for over a year in the play Bébé à tout prix, with which she has given more than two hundred performances, and she will soon return to the Apollo Théâtre.
